ONE:No trace was ever found of the person who wrote or conveyed the letter.
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ONE:
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ONE:The Noailles, unlike most of the great French families, although they lived in Paris during the winter, spent a portion of their time on their estates, looked after their people, and occupied themselves with charities and devotion. The Marchal de Mouchy de Noailles, brother of the Duc dAyen, even worked with his own hands amongst his peasants, while his wife and daughter, Mme. de Duras, shared his views and the life he led, as did his sons, the Prince de Poix and the Vicomte de Noailles, of whom more will be said later.Neither of the young wives were altogether fortunate, for some years later two beautiful Polish girls, whose father had been killed in the Polish war, were brought by their mother to the Russian court. The eldest and prettiest was only sixteen, and was married to Prince Narischkin, but the overpowering passion which she inspired in the Emperor Alexander is well known; whilst her sister captivated the terrible Constantine.
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ONE:The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.
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ONE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.The first register in the little chapel was of the baptism of Alexandre de Montagu, whose godparents were the Duke de la Rochefoucauld-Dondeauville and Mme. Alexandrine de la Luzerne.
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